François Truffaut, one of the french film directors and critic, quoted
"A true film auteur is one that brings something genuinely personal to his subject"
This method of film critique originally associated with the French New Wave. It was developed many years later in the US through an article in The Village Voice written by critic Andrew Sarris. Sarris used the Auteur Theory to analyse what defines work through the study of directors and their film.
Marc Klasfeld (left) is an American music video director and has directed over 200 music videos. He has had a whole range of experiences directing music videos for different artists who create music of different genres.
Artists that he has directed music videos for include, Katy Perry, Jay-Z, Britney Spears, Michael Buble, Nelly, Avril Lavigne, Aerosmith and lots more with many MTV award wins and nominations.
He is the founder of Rockhard, a music video production company. Rockhard has produced videos for a whole range of popular artists such as Justin Bieber, Lady GaGa, Kelly Rowland, Willow Smith along with many others.
Moreover, he is a director of television adverts for Nike, Reebok, Cartoon Network and Hummer.
Moreover, he is a director of television adverts for Nike, Reebok, Cartoon Network and Hummer.
After watching some of the videos in which he has directed I have noticed that he has a distinctive auteur signature style which is he uses the four micro-elements to reflect the pop/dance-pop genre. He makes the artist the focus of each shot and portrays them in a positive light. There is always some storyline whether it be a small one. There is also often a performance based section of his music videos in which there is either a choreographed dance routine or simply the artist performing to the viewers.
I took a look at the pop song, Last Friday Night by Katy Perry. Here, the storyline is about the transformation of a 'geek' who throws a good party.
Here is one of the shots used towards the beginning of the music video and before the big 'transformation.' It shows the viewers what the artist looks like now and as it's a mid shot they can see what Katy Perry is wearing as well as how she has her hair and make-up. Her costume, hair and make-up has been thought about to give the audience the idea that she is a 'geek.'
She is then transformed into what some people would class as 'beautiful.' There is a build up as to what she looks like as the camera pans from her feet to her face. This is to put the focus on the artist and therefore sell.
There is many close-ups of Katy Perry which is again to make her the focus of the duration of the music video and sell the artist. This is not just after the transformation but before, also. Such as in the first picture, she is in the foreground of the shot with the other girl, Rebecca Black. Although, viewers are likely to focus on Katy Perry because she is in the very centre of the shot.
In the music video for Last Friday Night, there isn't a choreographed music routine but we see the artist and the main actors of the video dancing. This and the bright colours of what people are wearing and the bright lighting all help to link with the theme of a party and the pop genre.
I looked at the video Brokenhearted by Karmin which again is dance-pop genre. There is a short storyline conveyed through the duration simply about a girl and boy essentially 'hooking up' at a party and the girl is awaiting a phone call from him.
Similar to Katy Perry's music video for Last Friday Night, Klasfeld has incorporated many close-ups of the singer, Amy Heidemann (Left.) She is also the focus of many shots. For example, the bottom left photo shows Amy and one of the main actors in the music video. In this, you can see the actor but some of him is covered by a paper cup. He's not in focus whereas the artist is. This and the fact she is in the centre of the shot will bring attention to her. This is done purposely in order to sell the artist.
There is no choreographed dance routine in this music video but in a lot of shots, Amy Heidemann performing her song to the camera. She doesn't dance but is energetic, always moving and performing small improvised dance movements. This is shown in the screen shot of the music video on the left. It's an obvious performance based shot due to the props used such as the microphone and instruments used by the band members.
Furthermore, there is another party theme within this music video to go with the pop-dance genre of the song. This is again shown through the use of bright colours in their outfits, hair, make-up and the props used such as balloons and paper cups. (Right)
Finally, I took a look at the another dance-pop music video for All About Tonight by Pixie Lott. There is a very small storyline within this which is mainly shown through the lyrics rather than the visuals. It's about a girl who has just broken up with her partner and she is simply going out to get over him.
Again, there is a lot of close-ups and even extreme close-ups of the artist (left.)
There is also shots of different parts of Pixie Lott's body, particularly her legs. Again, this is to show of her image as skinny is what society defines as 'beautiful.' This will help to sell the artist.
There is a choreographed dance routine with two other dancers during some of the chorus which fits with the theme of a partying and the dance-pop genre of her song.
Pixie Lott is also wearing heels and a playsuit/dress which further emphasises the party theme.
In conclusion, Marc Klasfeld often directs the music videos of the pop and/or dance genre. For these videos, he helps to portray the artist in a positive light and help to sell them. As well as reflect the pop genre through the use of camera angles and mise en scene.